How do we push ourselves and in which direction do we push ourselves? For me, it’s a reminder to live a life filled with gratitude and not take things for granted. “It isn’t about the funeral or the procession, it’s about how we live in the here and now. For me, this song is so positive and life-affirming,” McGraw, who co-produced the song with Byron Gallimore, explained in a statement. “‘Standing Room Only’ caught my ear the first time I heard it because of its message. It found a way into Tim McGraw’s repertoire after he connected with a message that inspires the listener to live life to the fullest and leave with no regrets. This track is an outside cut penned by Craig Wiseman, Patrick Murphy and Tommy Cecil. More recently, the three-time GRAMMY winner dropped his brand-new song, “Standing Room Only,” which serves as the lead single and title track off his forthcoming 17th studio album. Tim McGraw Photo by Robby Klein “Standing Room Only” It all started with Tim.”Īt the end of the clip, McGraw revealed that he was a “big fan” and even suggested that they should work together again in the future. “Then, when I reviewed it again, and listened over and over again, I was like, ‘this song is so deep and full of purpose.’ Then, I decided to make my whole life about purpose and don’t make my street circumstances be my reality. “When I first heard the song, when I heard, ‘Johnny’s daddy was taking him fishing,’ I was just like, ‘this is amazing,” but I never knew what the song meant,” Brown explained in the clip. “The Git Up” singer beamed with excitement as he took in the moment, which dubbed it a “dream,” and embraced the artist that had such an impact on his career in a hug. Watchīrown finished off the final words while McGraw looked into the fellow singer’s eyes with great pride. “And there he prayed / Take the very, breath you gave me / Take the heart from my chest / I’ll gladly take her place if you’ll let me / Make this my last request / Take me out of this world / God please, don’t take the girl,” McGraw sings in the final verse. It’s a tear-jerking narrative that would have anyone hoping that the pair makes it through to the end together. Luckily, the official music video for “Don’t Take The Girl” left a hint of hope that their family remains in tack. Things come to an abrupt haul as he learns that his wife might not make it through the birth of their child. As they encounter plenty of highs and lows, one thing remains the same – the boy’s desire to hold onto his other half for the rest of their lives. Through McGraw’s wholesome vocals and nostalgic melody, listeners get to watch the lovebirds grow up together. Johnson, the heartfelt song follows the story of a young boy who experiences love at first sight with a young girl. Not A Moment Too Soon Tim McGraw, Not A Moment Too SoonĬo-written by the late songwriters Craig Martin and Larry W. 1 hit, McGraw previously saw success with “Indian Outlaw,” another song off the same project that become a Top 10 country single and Top 20 crossover hit. While this was the Louisiana native’s first No. 17 on the Billboard Hot 100 chart as it entered into the pop world. In 1994, this track rose to the Top 20 spot on Billboard’s all-genre Hot 100 chart and served as the second single off his sophomore album titled, Not a Moment Too Soon. Additionally, “Don’t Take The Girl” claimed the top spot on the Canadian country charts and peaked at No. Among this list of fan-favorites is also McGraw’s first No. Tim McGraw saw great success in the 90s with songs including “Something Like That,” “I Like It, I Love It,” “It’s Your Love,” featuring his wife, Faith Hill, “Just To See You Smile,” and more.
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